Today I present to you a small work on paper (10 x 15 cm).
Although it may seem to be a deviation from the topic that I am most occupied with these last weeks, it is in fact a continuation of my efforts to find a way to integrate organic structures in my colour fields.
My title today comes from a remark by Greg Rose, who has a very elaborate way of painting trees. In stark contrast to his process, mine has to "happen" in a fraction of time: intuitively, naturally. Yet there is design in this extremely intuitive way of putting down colours.
I like the texture that has evolved. There are even lines in there by design.
Developing the right tools to do this large scale!
Much light!
Although it may seem to be a deviation from the topic that I am most occupied with these last weeks, it is in fact a continuation of my efforts to find a way to integrate organic structures in my colour fields.
My title today comes from a remark by Greg Rose, who has a very elaborate way of painting trees. In stark contrast to his process, mine has to "happen" in a fraction of time: intuitively, naturally. Yet there is design in this extremely intuitive way of putting down colours.
I like the texture that has evolved. There are even lines in there by design.
Developing the right tools to do this large scale!
Much light!