In my work I have managed to subdue the harsh lines and to lend my work very earthy tones by my choice of colour.
Much light!
Today I present to you a work (Charcoal and Chalk on Wood Veneer 90 x 30 cm) that is (still) evolving from my study of angles. Purists will probably spew fire and brimstone at me, if I claim this work to be part of the "Concrete Art" Genre. Concrete Art develops out of the abstraction of geometric forms and shapes. In my work I have managed to subdue the harsh lines and to lend my work very earthy tones by my choice of colour. Much light!
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I love working in this technique, which I call tippling. Its very meditative, and there are no limits to the range of dark or light intensity that one wants to use. Its almost like pointillism which uses coloured dots to convey the picture. I believe I will still work on this one as I continue to build it up. Much light! In this week's post I continue to stay with rhythm and space. This was very fun and very quick to do: I used a zentangle pattern (something I used to do many years ago). By leaving out part of the shapes I had outlined, I have achieved a grade of mystery and the shading in provides areas of high contrast. While the eye wanders through the random pattern, the brain is trying to figure out what it is, that was left out. Much light! Here is another experiment with rhythm. This time with patterns cut out from an Artdeco pattern gift wrap paper. The different shades of grey juxta positioned with the dark and white areas give this paper work (graphite and coal on recycled paper) depth and create spaces. Much light! |
Aruna SamiveluI am an artist. I live and work in Berlin. Archives
July 2022
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Copyright: Aruna Samivelu
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